A longer post today, for the paintbox nerds out there! 🙂
I´ve been looking for years for the perfect outdoor sketching watercolour box, but either the boxes are too big or the mixing surfaces are too small. I always end up modifying my boxes a lot, but they still don´t really work the way I want them to. So I decided to go for it and order a handmade Pocket box from the Paintbox Company in England.
Now, to me this is a very expensive paintbox, I really thought twice before placing my order, but I figured it would be worth it since I probably wouldn´t have to buy another box EVER. The description of this box on the homepage sounded just like the thing I was looking for – small but not too tiny to hold in a steady grip, with room for the luxury of 16 colours and a lot of mixing space for a small box.
There is a long queue for these boxes, I think I waited almost two and a half months for mine, but it was worth the wait. I´m incredibly happy with it so far. A tiny review:
The box is sturdy, the mixing space is perfectly enough for me – you can remove the whole tray of colours in the box, if you want to use the mixing surface under there too. There´s a strong ring underneath for holding the box (unlike those thin and wobbly ones on all the boxes I bought before), and I can change a single colour if I like since I chose the model with room for half pans (slightly bigger box than the one for tube colours). I´ve read some reviews on these boxes, and one or two mentioned the weight as a minus, and it isn´t as lightweight as the thin metal boxes you can buy from all art suppliers. To me that´s not a problem – it´s a very small addition to the weight I´m always carrying around in my bag anyway – to others it may be something to take into consideration.
The only minus to me, and it´s only a “cosmetical” one, is a little brass plate that looks a little unpolished on the lid of the box (not pictured here). These boxes come with your initials on a plate on the lid. I didn´t quite like the look of the initials, and I didn´t really want them there no matter how they looked, so I chose not to have them there. But for some reason the initial plate is on the lid anyway, though empty, and the edges of it are a bit rough. After using the box, I found that the plate actually helps holding the box firmly fastened in the water container (I don´t know if that was the thought behind it, but it does), so it fills a function anyway, but it looks a little less worked on than the rest of the box.
The colour mixing chart in this post is something I always do with my watercolour palettes when I change colours in them. I like trying to mix all colours with all others at least once, just to see what combinations I get. Of course a mixing chart like this is not at all complete – you can mix two colours in so many different proportions, and this chart just shows one. Still, it gives an idea of where I can go with this particular choice of colours. I often find new surprising combinations, and some interesting grays when I do these charts. From here I go on to examine a few of those mixes a little closer, trying out different proportions of the two pigments in the mix, for example.
3 Comments
How is the paint box holding up? Was it all you hoped it would be?
Yes, thanks, it is great, but the thought of never again having to buy another one was of course a bit unreal. ;D
I don’t use it all the time, mostly because of it’s weight, actually, but it is always loaded with paint and ready to go!
[…] had the intention of doing a neat colour chart with two versions of each mix – just like this lovely one by Nina Johansson. But somehow it morphed into a Liz-style messy mixing chart. It isn’t a beautiful pristine […]